Musicophilia Daily

[Audio+Link] – François Bayle – “Solitude” (1969)

Posted in Audio, Link by Soundslike on March 18, 2009

electronic-panorama1

François Bayle – “Solitude” (1969)

Please don’t pass this post by. One, for the track at hand: it will turn your brain inside out, to be sure.  But also for the links and the general information this post will contain next.  First, the track: in a similar style to Parmegiani’s “Pop’eclectic,” Bayle’s “Solitude” is a fantastic melange of student politics energy, psychedelic rock, musique concrète, and early electronics.  It makes a great gateway drug to the latter styles, chugging along with Krautrock-esque beats and guitars, run through the more sophisticated, less bleepy-bloopy-space-musik end of concrète/electronic music.  It is proof that while the avant-garde weren’t often trying to make pop inroads (Henry’s “Psyche Rock” and BBC Radiophonic Workshop aside), they weren’t hiding away in ivory towers by the late 60s, and the visceral impact of this music makes it inarguable.  If it hits you, you’ll hear the 2nd half of the 20th Century all flowing in and out of the mix.  So listen, please listen, with open ears:

But that’s just the hook. What I really want you to do is start treading in deep sound, if you’re not already.  And if you haven’t jumped in–there’s really no place better to start than at the top.  Which is, for me (some of Parmegiani’s albums aside) the simply inconceivably amazing 4LP set, ‘Electronic Panorama: Paris, Tokyo, Utrecht, Warzsawa‘ released in 1970 and drawing on music from the late 1950s through 1970 from leading figures of those four cities’ avant-garde (Paris is unsurprisingly tops; Utrecht, for me, comes in next).  If you’re obsessed with sound, if you ever get excited about the way sound literally feels in your ears and how it moves through your body, if you ever listen to the sounds around you in the world as though they were music: you’re ready for this.  You need this.  I’ll let my hero of deep listening Woebot give you the verbiage.  And I’ll tell you that these records cost hundreds of dollars, if not more: so yeah, I don’t own a copy myself.  But, this is one of those examples where I say fuck all the doubters, the internet is a beautiful thing: you can download these amazing records in very high quality here and here at the absolutely life-changing Avant Garde Project.  Along with UbuWeb, Mutant Sounds, and the Wax Cylinder Preservation Project, I don’t really know any more wonderful archive for sound on the internet.

This is not pop music, and I’m not pretending it’s for everyone. But if you’re at the right place in your life, if your ears are shaped (metaphorically) anything like mine–well all I can say is that for me, whereas I’d been a skeptic about musique concrète and early electronics, thinking it was all bubbly bleeps and bloops; after I heard these records along with a few key bits from Stockhausen, Henry, Parmegiani, Schaeffer, Ferrari (those last four all found here), Raymond Scott, and Dockstader: I am a devotee.  I don’t try to push this stuff very often at Musicophilia, but finding these people the last few years has been as important as finding Can or “Piano Phase” or hearing my first fusion-era Miles Davis was for shaping my musical love affair.

[UPDATE: Check out this nice article from Simon Reynolds on the sleeve design for the series from which ‘Electronic Panorama’ comes–truly objects of beauty, and an inspiration for anyone attempting phony label-series artwork and for any graphic designer.]

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5 Responses

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  1. ohrensause said, on March 18, 2009 at 9:47 pm

    this is great stuff. i needed some new music and there it is. this is not too far out and not too easy listening. exactly my cup of tea. thanks so much.

  2. blissblogger said, on March 20, 2009 at 2:03 pm

    funnily enough i just recently did a thing on Electronic Panorama — the sleeve, not the music – for the Wire, up here now
    http://reynoldsretro.blogspot.com/2009/03/inner-sleeve-electronic-panorama-wire.html

    • Soundslike said, on March 20, 2009 at 2:08 pm

      That series does have the coolest label-series-standard aesthetic from an era of cool label-standard design. Can’t believe no label has been able to secure the rights to reissue this–done up as a nice 4CD box, or a vinyl repressing in full–it’s hard to imagine it wouldn’t make a big splash. Thanks for the link, Simon–off to read it.

  3. […] Ghosts,’ a disco-era update of Bernard Parmegiani’s “Pop’eclectic” or Francois Bayle’s “Solitude”.  His second solo track here (also featured in the ‘1981‘ set)  proves balding […]


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