Electronic System – “Time Trip” (1977)
Speaking of usually sharing things a few of you might not have heard–let’s follow up Kraftwerk with one of their very first disciples you might not know. No, this isn’t an pseudonymous outtake from Moroder–this is the sound of the influence of Kraftwerk spreading just west to Belgium, rather than south to Italy, and merging similarly with the spread of disco. It’s by Dan Lacksman, who should be just as well-known and revered as Moroder, at least for his work with his partners as part of Telex. Amazingly, the album from which “Time Trip” comes is easily found on reissued CD, while Telex’ admittedly more brilliant work is completely out of print–probably the most glaringly crazy O.O.P. I can think of at present. The album is not perfect–Lacksman was only a couple of years removed from pretty cheesy but promising sound library-esque synth-jingle-pop work–but it’s a lot of fun and sure to go down easy at your personal discotheque. [Electronic System are beatmatched at Musicophilia with the other disciples and children of Kraftwerk, and Kraftwerk themselves, on the “four LP set” ‘Le Meilleur de Les Rythmes du Monde‘.]
Neon Judgement – “TV Treated” (1982)
I try to avoid the “if you like [contemporary band x], you should check out [influence x]” formula. But the Neon Judgement were so prescient and so good, and so clearly foreshadow one of the musical developments of the last half decade I tend to enjoy–the entire DFA/LCD Soundsystem/Hercules & Love Affair/”dance-punk” sound (not to mention Goldfrapp, Out-Hud, Les Attaques, et al)–that it’s hard to avoid. The Neon Judgement were from Belgium, clearly loved Suicide and a fantasy-world NYC, and could be called DNW-related or proto-Electro, but their sound is more fully-formed and fully-fledged than those labels can often suggest. There’s the hard, long-lasting dance beats; the saw-tooth sine wave synthetics; the “punk” vocals; and the New Wave guitar jangle, and it’s intoxicating stuff–so much so that I’ve got to share two tracks. They deserve more attention.
Neon Judgement – “Concrete (NY Stoney Wall Doll)” (1984)
Front 242 – “Black White Blue” (1982)
I can’t speak for later Front 242, but in the early 80s these Belgians were really onto something, making a spooky style of electronic music that is akin to Throbbing Gristle or fellow Liaisons Dangereuses and presages later Electro, but which remains unique. This track, with its periodic hyper-32nd-note 808-hi-hat breaks and bouncing rhythmic emphasis remains strikingly contemporary.
Telex – “En Route vers de Nouvelles Aventures” (1980)
It’s criminal that basically none of Telex’ work is currently in print–a state that surely can’t continue for long. They’re better (and for my money “more important”) than just about every post-Kraftwerk/Moroder synth-pop band that existed during the post-punk era; their first three albums have the timeless quality we all love from Kraftwerk’s ‘Computer World’. This track is a good introduction: warm, bouncing, graceful, sophisticated, fun. Thank goodness for the always-thorough (though currently moribund) Music Blog of Saltyka & His Friends, in the meantime till someone realises they could make bank getting Telex-awareness to a just level in the USA. [Telex are featured along with tons of other fuzzy synth-disco goodness in a four-part megamix at Musicophilia.]